I continue to work on this. I'm digging the stop-frame-animation imprints and the sense that everything is heaving and pulsing... a primordial soup.Long long ago in design class, we were asked to make a drawing of an object that explained how it worked. Mine was an old egg-beater with a crank handle. When the blades were spinning fast, they practically disappeared at their outermost edges. Hmmm. How to work that into these sleepy zen drawings?
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